Posts tagged FICTION
Use Your Words

He asks if I’m a poet, and I say no, I’m just a Pisces. He nods, unimpressed, and jots in the open file on his lap. The line is obscure, and that is the point. I am using all that I’ve read for screening purposes. 

The social worker reaches into the business-looking bag by his chair and produces a bunch of tiny papers. I flinch at the sight of them. Sticky notes. These were found in your backpack, the social worker says, placing the pile before me. He waits, blinking, so that I might explain.

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Courtney DenelleTSRFICTION
Ying Ying

The man dragged out the dummy panda again and put it in the middle of the yard. It was well oiled and for a few moments my body was readying even though I was like—no, intestinal vapors, do not rise and do not go to your battle stations, no no no—but then the grease globbed off, all melted in the sun and runny. This must be this dummy’s definition of romance, I thought, though I don’t think a real bear could control its thing if it wanted to because, well I don’t know. And I laughed, because I thought it was funny, though it was a little serious, too. I say serious because of the dummies.

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Does She

Is she good? And I don’t mean versus bad, but is she better? Does she do all the things? Does she part for you? Does she? Do you prefer part or spread? Does she spread? It’s okay if she does, because you know that I know, so it’s okay now.

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Bullet Catcher

I made a bit of a joke about it. “Beautiful country over there,” which was my way of seeing if he was telling the truth. Because, when you’re talking one veteran to another, you never say, “What a shithole that place was,” or “I hate that fucking place.” You say, “Beautiful country.” “Real vacationland.”

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I’m not here to have opinions

I keep thinking, Rib-eye steaks, and what do you know? Lil’ Spanky actually comes by. “Just Billy now,” he tells us, shaking Thomas’s hand. “But look at this! Big boss right here!” he says.

Thomas shrugs. He’s in a rayon shirt and cuffed slacks he ordered from a back-alley tailor in Little Saigon.

Billy’s still holding Thomas’s hand as he says to me, “Back in the day this fool was at a Motel 6! Running fingers through the carpet for rocks!”

“Yeah,” I say. “That probably explains a lot.”

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Every couple of months, the seller arrived unannounced to pick up something he had left behind: a wall phone in the den, canoe mounts in the shed. The buyer allowed him to take what he wanted, then asked him for help with a difficult chore.

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Dog: Gone

A man told me once that there’s more nuclear waste roaming the highways than there is in underground storage. He said they can’t keep it in one spot for too long. (I did not ask who “they” were.) I merely nodded at this possible lie. I found the story too romantic to want to challenge it.

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The Naïfs

I asked her death angel, whom I could barely see that day, why. Why the savagery. She had been, on balance, a good person. Selfish at times, deceptive even. But on balance, I mean. The indistinct angel might have shrugged, I couldn’t be sure.

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The Great Plains

The fence won’t be a deterrent for Liam; even with his skateboard, he’s a climber, and he’s not one to fear consequence or retribution. He has grown up in a trailer with his dad and his sister, the trailer park a tiny communal netherworld separated from the Kansas college town’s outer ring of student housing by a block of untapped woods that will soon be purchased and plowed and built on. For now, big fighting dogs roam unchallenged.

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Casual America

She’s started refusing furs. She turns up her nose at mink. She will not wear weasel. She won’t allow me the coonskin cap, either. It’s all about collegiate dress, she tells me, and one doesn’t wear furs to lecture.

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I have a friend who is nagged by this memory of a very indecent Garfield comic strip. He says it is actually quite sexy, but incredibly perverse, and not just because it involves an anthropomorphic cat and meatloaf.

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Gloria watches him intently, her perfect first child.

More swimmers arrive and go to the raft. Her son swims away from them and joins her on the shore.

“I knew you would come in when other people arrived. I know how you are,” she says. “You have always been a loner.”

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Valentine Springs

Shortly after her first period, Valentine begins finding traps around her house. At first they are small—snares made of shoelace that snake along the hallway, glue traps in her bedroom closet—and sporadic. In no time, though, she’s finding larger traps: nets that span the length of her driveway, fishing lures cast from panel vans, muscle cars, matte-black Mustangs measled with Bondo. 

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He snaps off the radio and goes after the man, asking himself what kind of person would be contemptuous of another man’s tears—whipping himself towards righteousness, he thinks his rage is not with the man in particular but a condemnation of a prevalent attitude toward vulnerability: that our feelings are excremental, involuntary, a mere accident of our relationship with the world, motivating but unwilled, thus in some essential way not our own; an avalanche coming down upon the self.

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Across the desert, marines are touching themselves. This is happening. One is slouched against the rear wall of a guard post at the north-facing perimeter of a forward operating base unbuttoning his trousers to air out his barrel, to clear out his bore before his partner returns.

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Dear Mr. Roth

Oh Mr. Roth—how to get old. How to come to terms with the inevitable. With our own short-sightedness. How not to feel regret? And where to find solace? In the moment, right? In the playing of each moment as if it were our last. Except that’s no way to live—though it might be a way to make art: and if you’re an artist, how to separate one from the other?

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The idea crept into my mind, and festered, that maybe Shirley wasn’t even a child at all, that our “daughter” was actually an underdeveloped twenty-something escaping the barbed poverty that forces people to prey upon the good intentions of others in order to survive.

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